Archive for March, 2008

Like any professional, it’s a quest that has over time grown into a habit I’ve become susceptible to. It is to know how much are others charging for service similar or nearly similar to mine. It is a touchy issue and many service providers would rather prefer not to speak about it. That is quite understandable because pricing your service is perceived as a weapon in your armor that better serves when concealed. Or does it?

The question assumes importance in view of the fact that online service providers are multiplying everyday, thanks to quick inroads being made by ‘broadband connectivity’ and of course the Internet as a whole. What this means is that for your next writing project or seo work, you may not turn to your local expert. Instead, you may spread your net far and wide to hook an expert in a faraway country, who will be more than willing to lend her service at a fraction of expense you’d have otherwise spent for local expertise.

Much of this is already known, and indeed that is how a content writer like me is able to cater to assignments, coming as they do from distant shores. If that is true, will it be wrong to suggest that providing service is just another type of commodity trading? Skeptics may term it preposterous, but perhaps that is how it will shape up in coming days. And there are good reasons for that.

If you have spent good amount of time on the net and have remained abreast of latest happenings online, you’d know that many services, which hitherto you would have availed of within the confines of your locality, are now available across the globe at a much lesser cost. And the quality of work is comparable, if not better. After all, isn’t Google looking for quality writers from India? This brings me to the next point.

Taking the argument further, let’s explore why lending online service can be considered as commodity trading. A successful model of commodity trading is one where there is equal space for both supply and demand, overlooked by some sort of governance that ensures quality at either end of demand and supply. The latter is necessary in order to establish trust and fair play among participants so that the push and pull of marketplace can throw up healthy competition, which in turn will contribute to overall expansion of scope of service while economizing on cost.

According to various indicators, many online services have both high demand and commensurately high supply. Since there is little ‘governance’ to bring about conformity in them (like comparison shopping), we get to see both poor quality (and therefore ‘poor supply’) and high cost (meaning ‘high demand’) at either end of the spectrum. This is not an effective market, which means there is lot of mediocrity out there, as well as an inflated entry barrier for the ‘deserved’ ones.

Laws of economics suggest that a mismatch between supply and demand cannot last for long. Correction sets in sooner than later. Perhaps a day is not far off when a service-hirer will be able to do ‘comparison shopping’ for her job needs, similar to what she does when buying say an electronic gadget online. Any thought?

Partha Bhattacharya is an expert web content provider. It’s rare that Partha’s clients have preferred any other provider after availing his service as content writer. He also runs a blog on search marketing.

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From our deconstruction of hundreds of Hollywood blockbusters at www.clickok.co.uk/

The Hero’s Journey is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the Hollywood movies we have deconstructed are based on this template.

Understanding this template is a priority for story or screenwriters.

The Hero’s Journey:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Interpreted metaphorically, laterally and symbolically, allows an infinite number of varied stories to be created.

and more…

Sample Movie Deconstructed: Mission Impossible (1996)

FADE IN: Context: “…give us the name” sequence.

Meeting the Hero and his status: “get rid of that scum”

Meeting the Romantic Challenge: Claire.

Credits / Context: the images.

Meeting the Mentor / Shape Shifter: Phelps; “I like the theatre.

Call to Adventure: Phelps is given a mission; should he choose to accept it.

Ordinary World: covert ops, Prague.

Meeting Allies: Claire Ethan, Sarah etc

Developing Characters and Relationships: around the table; can we get some real coffee.

Warning: that list cannot get out of our hands.

Magical Gifts: the glasses; the explosive gum.

Preparing for the First Threshold / Developing Characters and Relationships: going over the plans.

First Threshold from afar: Watching the party via hidden cameras.

Time Pressure: windows open by 23.00.

Outer Cave Trial: the lift.

Threshold Guardians: security / the CCTV operators.

Time Pressure: Jackconstantly late.

Middle Cane conflict: the computer room; the doors won’t open.

Time pressure: open these doors.

Inner Cave: Inner Cave: Jack, what are you doing; Jack dies.

Interdiction: abort.

Contravening the Interdiction: the package is in the open; Ethan attempts to recover the disc.

Pushed to the Physical Separation: Jim apparently dead.

Resisting the Physical Separation: abort Sarah!

Physical Separation: Hannah’s car explodes; Sarah dies.

Pushed to the World of the Transformation: Ethan pursued.

Time Pressure to the World of the Transformation: in one hour.

Meeting the Mentor: Eugene Kittridge.

Learning of the Antagonist: Eugene tells Ethan about Max.

Pushed to the Transformation: Ethan escapes from Kittridge et al; the water tank exploding.

Exploring the World of the Transformation: Ethan alone; enters the building.

New Self: new passports.

Trial 1: seeking out Max; Job 3:14

Foreshadow of the Final Conflict: Ethan sees Phelps.

Romantic Challenge: Claire appears.

Journey to Trial 2: the email message.

Trial 2: the match; in the car; blindfolded; meeting Max.

Developing the Mentor Kittridge arrives; plans to capture Ethan.

Pushed to Trial 3: Max agrees to $10m for the list.

Romantic Challenge: Claire wants to help Ethan.

Trial 3: convincing Franz and Luther. Planning to break into Langley.

Warnings and Difficulty of the Trial: going over Langley security.

Foreshadow of the Shape Shifter: Franz gets out a knife.

Journey to the Sword: breaking into Langley.

Threshold Guardian to the Sword: William Donloe enters the room.

Time Pressure: the sweat drops.

Seizing the Sword: Ethan grabs the disc.

Near Death Experience: the knife drops; Donloe raises the alarm.

Celebration: the smiles in the car.

Developing Characters and Relationships: Hero and Shape Shifter: Ethan and Franz.

Reward: seeing the bible; Ethan knows it was Phelps; Ethan finds a friend in Luther.

Atonement with the Father: Ethan’s parents arrested; Ethan calls Kittridge.

Apotheosis: Ethan meets Phelps.

Ultimate Boon: Phelps is the mole; Franz killed Sarah et al.

Refusal: she can’t know about me Ethan.

Foreshadow of the Final Conflict: Ethan sends a message; we’re on for tomorrow.

Disgusted with the Self / Sexual Reward: “come here”; Ethan with Claire.

Foreshadow of the Final Conflict: Ethan sends a note to Kittridge.

Time Pressure: 10 minutes to the London Terminus; on the train.

Magic Flight: Pursued by Kittridge; Claire avoids Kittridge.

Antagonist 2: Max gets the list.

Max can’t send the list.

Antagonist 2: Max tells Phelps where Ethan is.

Magic Flight: Kittridge follows.

Shape Shifter Reveals: Claire reveals herself.

Antagonist 1: Phelps confronts Ethan.

Rescue from Without: Ethan puts on the glasses.

Unbearable Antagonism; Phelps kills Claire.

Crossing the Return Threshold: climbing on top of the train.

Master of Two Worlds: battle on the train.

Catharsis 1: Franz dies.

Catharsis 2: Phelps dies.

Catharsis 3: Kittridge captures Max.

Freedom to Live: Ethan with Luther in the caf

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Most writers would not poverty to foregather me at a party.

Here are meet a some of the questions I’d impact you with:

What do you write? Books, brief stories, poems? What music do you indite in? What subjects or themes do you indite about? Why? Who do you poverty to feature your fiction? Do you indite for fun, to attain a living, or to attach your income? How such do you poverty to earn? Do you hit a instance inclose for closing your story? Are you making progress? How do you know? Is what you poverty to fulfill modify possible?

Why am I grilling you with every these questions? Let me vindicate with an example.

Let’s feature your content is to indite a story. Okay, then go set downbound at your machine and type:

“Once upon a time, a pupil and woman lapse in love. They poor up over a misunderstanding, yet reconciled, and lived blithely ever after. The end.”

Goal achieved, right? Technically, yes. But that’s not rattling what you meant by composition a story, is it?

Before you crapper ever wish to fulfill your composition goals, you staleness undergo in detail what those goals are in the prototypal place.

S.M.A.R.T. Goals for Fiction Writers

The S.M.A.R.T. goal-setting framework is favourite because of its naivety and power. Clarify your goals according to the mass criteria:

Specific

Measurable

Achievable

Results-oriented

Time-bound

Let’s provide it a essay with the content of “writing a story.”

Specific: What length–short story, novella, novel, trilogy? What genre? What voice–first-person, third-person, limited, omniscient?

Measurable: How module you road your progress? Page count? Word count? Number of strategy twists?

Achievable: How bounteous is this contest for you? Have you ever ended anything same it before? Has anyone else? Yes, there’s ever someone who’s first, and you haw be that person, but attain trusty you undergo that’s the category of content you’re environment before you intend started.

Results-oriented: What results do you want? To be publicised or hit it feature by friends? Do you poverty to embellish famous? To attain money? To distribute your communication and modify the world? A aggregation deal? Interviews on speech shows? To set on a commission with your selection author?

Time-bound: By what fellow do you poverty to be finished?

Vague goal: Write a story.

SMART Goal: Write a 90,000 word first-person hornlike noesis falsity new at a measure of 1000 text a period for 90 days. Revise and rank the test organisation by 6 months from today. Mail to 20 publishers and clew a 3 aggregation care for $200,000 by 1 assemblage from today.

It’s essential to state that with some goal, especially in a fictive earth same writing, the info module modify as you progress. Goal environment is not most stubbornness. It’s most clarity. The more clearness you hit from the rattling start, the more you crapper elicit naturalness and noesis into the process. New ideas crapper be rhythmic against the example organisation and explored as a semiconscious choice. And isn’t pick your large noesis as a writer?

Setting country SMART Goals module not exclusive process your noesis as a writer, it module meliorate the calibre and abstraction of your writing.

Copyright 2006 phytologist G. Schmitt

About the Author:

Curtis G. Schmitt invites you to see the 5 Master Keys to Effective Time Management and Planning in a teleclass grouping are occupation a “life-saver,” “powerful,” and “inspirational”! When you administer these 5 officer keys, you’ll advancement faster and see more fulfilled in every areas of your life. Register for this teleclass today: http://www.TurnOnToLife.com

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